On the bookstands…

March 4th, 2012

A new month and it is encouraging to see so many publications on the magazine racks  are now featuring photography from Retro Photostudio! As you will see, it is a really diverse cosmopolitan selection.

Acid Doll is on the cover of Milkcow Magazine from our Manhattan shoot.  She is modelling vintage lingerie from Sleek ‘n Chic.  Inside the magazine you can enjoy a two page spread from the same shoot, this time featuring some great latex outfits from Westward Bound.

Milkcow cover featuring Acid Doll

Milkcow cover featuring Acid Doll

Acid Doll also features in Vintage Life magazine, shot recently in Brighton:

Acid Doll in Vintage Life

Acid Doll in Vintage Life

This versatile young lady is also in the new edition of Secret Magazine  (not pictured) – a beautifully produced black and white fetish magazine from Belgium.

The current edition of Vintage Life also has a Retro shot of my good friend Jaquie Gladden which we took several years ago, as well as Jessica Bella, whom I wish every success now she has returned to the USA.  Dawn at Candy Says kindly lent me this beautiful sixties outfit and several more specifically for this shoot.

Jessica Bella modelling Sixties

Jessica Bella modelling Sixties

 

I’ve only just discovered that a recent edition of Pin-up Perfection showcased a shot from the very first shoot I had with Ruby Fortune:

Ruby Fortune - pin-up on the telephone

Ruby Fortune - pin-up on the telephone

 

Finally, Australian hot-rod magazine Cruzin centrefold is devoted to Rayna Terror and Fae Raven:

Rayna Terror and Fae Raven - Cruzin'

Rayna Terror and Fae Raven - Cruzin'

 

If you are a magazine publisher and would like to feature Retro Photostudio photography do get in touch.

Marnie – performance art

February 29th, 2012

It was a delight to welcome Marnie Scarlet back to the studio. As well as being an extremely talented designer for Libidex latex, she is also a burlesque artist – with a difference!  Her act is almost as far as it is possible to get from “classical burlesque”, and she is high demand as an alternative performer in Europe and beyond.

The couple of images here give an idea of Marnie’s imaginative ideas.  Safe to say she is never knowingly understated! It was great to bounce creative ideas off each other again this time.

Retro Photostudio during Marnie Scarlet shoot

Marnie models her Vogue styled latex outfit at Retro photostudio

Marnie - merry sailor

Marnie, merry matelot!

Marnie - strike a pose

Marnie Scarlet - strike a pose

Burlesque bonanza at Retro Photostudio

February 18th, 2012
Recently the studio was given over to a day of burlesque shoots. In the morning I had the pleasure to welcome Miss Phoenix back to the studio…her third shoot with me in the past twelve months. We were shooting publicity shots for her flyers.
Miss Phoenix - burlesque artist

Miss Phoenix relaxes with two of her biggest fans

As her shoot drew to a close, the troupe from House of Burlesque arrived.  For the past three years I have sponsored House of Burlesque’s popular Burlesque Idol competition, which goes from strength to strength showcasing and promoting new talent.  I have previously shot with two of the trio who arrived,  Miss Betsy Rose and Jolie Papillon, but it was good to finally meet HoB’s director Tempest Rose.

Shipwrecked

The brief was to shoot publicity for their Shipwrecked show.  Tempest was excited to see the plethora of nautical props available at the studio. Although we did not need to use all of them the studio has two genuine ship’s wheels,a vintage life preserver, ship’s barrel, telescopes, captain & sailor hats, mooring ropes, anchor…well, you get the idea!
The primary publicity shot used their own prop cases – and you can see the finished result below.
Shipwrecked - House of Burlesque

Shipwrecked - House of Burlesque

Bella Morte magazine – Sweethearts edition

February 11th, 2012
For several years I have been  a official photographer for Bella Morte magazine.  I am always impressed at the way editor Sonja invariably pulls together such a great mix of high quality alternative pin-up work from around the world. The latest issue has a ‘Sweethearts’ theme…and Sonja has featured three of my shoots – with The Vivid Angel, Leia Lockhart and SINderella Rockafella. If you visit the link you can browse a small version, so you can see exactly why you need to get one!
SINderella Rockafella -  outfits by Collectif

SINderella Rockafella - outfits by Collectif

Vivid Angel - burlesque artist

Vivid Angel - burlesque artist

Leia Lockheart

Leia Lockheart

You can order either a digital only copy or a ‘real’ printed one. I can vouch for the print quality…if you order before 14th Feb the printers are offering 25% discount too.

Vintage, retro & rockabilly at the Pelirocco

February 6th, 2012

Last Friday we loaded the car down with retro props, camera and lighting gear and set out for Brighton.  Our destination – Hotel Pelirocco…the goal to get shots of the various strikingly different themed rooms, then to do a shoot with a number of talented models.

Fortunately we were based in the Bettie Page room which is only on the first floor – it proved easier to drag the bags of kit up the stairs rather than squeeze into the pint-sized lift!   Some of the rooms are perfect for shooting, although our room of choice had already been booked.  I won’t tell or show too much here as the images are slated for use in a couple of magazines.

Time would be tight, as new guests would be checking in mid-afternoon, but in the interim we were lucky to have been offered a window for shooting in an additional four rooms.  So as soon as each model was made-up and coiffed, it was a choice of outfits and off to one of the rooms.  After a day of climbing up and down four flights of narrow stairs, carrying lighting and cameras, my knees really started to let me know they were not happy!

 Brighton early…

It was bright and early on the Saturday when we welcomed Verity and Gemma from The Vanity Box who were to look after the hair and make-up.  Space was at a premium, so the girls set up in the bathroom area.  I have to say that this team created some amazing retro looks, working from the most cramped area you can imagine.

The Vanity Box, hair and make-up

Gemma attends to Acid doll (L) as Verity coiffes Miss Phoenix

 Dresses, lingerie and…

We were really lucky in our outfits as we had a wide selection for the girls to model: first there was a selection of vintage lingerie, corselettes, bras, girdles and vintage stockings from Sleek ‘n Chic.  You can view a couple of the outfits here.

Then we had rockabilly and retro dresses from Lady-K-Loves and Outerlimitz, and jewellery from Bow & Crossbones.

 The models…

By 8:30am Sam Huggins was undergoing her transformation as our first model.  This was Sam’s first vintage shoot, and I thought she did really well…although every time she caught sight of her reflection she could not believe it was really her!

Sam Huggins

Sam Huggins

From there on until 6:30pm was a blur of photography (maybe an inappropriate turn of phrase there!) as Miss Lula Mae arrived, followed by Acid Doll and Miss Phoenix.  I have shot with all three of these models before.

Acid Doll was over on a fleeting visit from Belgium, and has the pin-up style really sewn up.  She is a chameleon, always able to produce different looks and a consummate professional.  Lula Mae has a classical vintage look, and an amazing collection of vintage outfits…she could have stepped straight out of the pages of a fifties Vogue magazine!  Miss Phoenix is an up-and-coming burlesque artist with gorgeous red hair and great expressive eyes.

Miss Lula Mae in pensive mood

Miss Lula Mae in pensive mood, wearing one of her vintage dresses

Acid Doll, channelling Bettie Page, at the Pelirocco Hotel

Acid Doll, channelling Bettie Page, at the Pelirocco Hotel

Miss Phoenix modelling Bow & Crossbones jewellery

Miss Phoenix modelling Bow & Crossbones jewellery and Lady-K-Loves dress

The technical stuff

For those interested in the photography side, my goal was to rely as much as possible on natural light, supplemented by either diffused flash or reflectors, just to fill in shadows.  I’ve always tried to shoot at low ASA to minimize grain, and today, on my Nikon D700 I worked between 200ASA and 800ASA.  This created a few issues, the primary one being the wide apertures and slow shutter speeds.  Often I found myself shooting with aperture wide open, and sometimes with shutter speeds as low as ¼ second, not the best recipe for sharp images!  To minimise camera shake I used a monopod, but there were a percentage of images where slight movement of the model gave unwanted motion blur. In the future I will have greater confidence in the camera’s higher ASA speeds!

The results…

It took quite a while to check and sort the results, but I am delighted to say there are several hundred really good shots which you should soon be able to enjoy on the stockists’ websites, and in various magazines too.  A big thank you to all involved, including my wife Debbie who helped style and ironed all the outfits too!

Actuality – photography – NYC

January 22nd, 2012

During our recent NYC trip,  after spending some hours walking the very chilly Manhattan streets, we decided on a coffee stop to warm up.  On the way in we were approached by a guy who asked if we could help him out with a coffee.  He looked far colder than we were so we invited him in to join us.

Over the coffee, Jack Crow entertained us with our very own personal close-up magic show – which was really impressive.  He then let us onto the secrets of how he had done the tricks…which was even more impressive, but I won’t share those with you!

Jack also related a little of his chequered career, which included travelling with a circus and a trip to England, where he did not manage to see anything apart from the inside of the airport;  the Border agencies held him, due to his lack of funds, before returning him the same day to the USA.  Despite the slightly precarious lifestyle he seemed very positive…outlining his plans to enrol to study recording techniques (he is also a musician).

He survives by performing his magic in the Manhattan streets and subway, spending nights sleeping rough in shop doorways – if you imagine temperatures around 7 degree Fahrenheit coupled with 20 mile an hour winds, that is one tough way to survive.

Photography – the technical background to the images

I shot Jack in the cafe, then suggested we shoot outside, his normal performance arena, to which he readily agreed. This was my first opportunity to put my Nikkor 14-24mm wide angle lens through it paces. By now it was dusk, so I racked the ASA up to 800 on the Nikon D700 and added fill-in flash. Even so I was shooting on F4.5.  The wide angle of the lens meant I needed to get within 3 feet of Jack to make him dominate the frame…I love the wide-angle distortions, which I feel adds impact.  The first image was taken with me crouching at knee level.

Jack Crow - magician NYC

Jack Crow - magician NYC

 

Jack Crow - find the card

Jack Crow - find the card

 

Skin Two – latex fashion magazine

January 21st, 2012

Latex clothing has been surging in popularity over recent years.   Those wishing to find out the latest about latex fetish fashion, the clubs, the styles and what is generally happening around the world invariably turn to Skin Two Magazine.  The fetish magazine, under the efficient editorship of Tim Woodward has been going from strength to strength since he co-founded it in 1983.

Edition 62 of Skin Two magazine  is now available; it carries a feature on my work, along with shots taken at the last Rubber Ball event. The following models feature in the images: Beau Rocks, Betty D’Light,  Fae Raven, Lucy Fur, Mamzelle Maz,  Rogerio,  Ruby Fortune, and Esmé Bianco on the back cover.

Skin Two sneak peek!

Models (L to R) Betty D'Light, Beau Rocks, Fae Raven, Miss Lucy Fur

Outfits featured are by LibidexOoh La LatexJane Doe Latex and Stick ‘em Up Pin-up.

Order your own copy, either as a beautiful print version or digital download by visiting Skin Two at www.skintwo.biz

Beauty photoshoot – make-up makes the image!

January 18th, 2012

This week I had the pleasure of Leanne James at the studio, shooting some tattoo shots, and some more ‘way out’ ones.  Just in case you don’t know who Leanne is, she graces the cover of the current edition of Skin Deep magazine.  She is with Spirit Model Management, an agency with a great range of interesting alternative models.

Shonagh Munday came along to provide her make-up and hair styling talents.  She is a really excellent stylist and make-up artist and lately she has been making a name for herself with her airbrush skills.  Using her exceptional skills the face becomes a canvas…with stunning results.  I guarantee you will be seeing a lot more of her work – check out her blog and you will see why I am so confident!

Leanne James - alternative model

Leanne during the first 'tattoo oriented' part of our shoot

Starting the second make-up look with the airbrush

Starting the second make-up look with the airbrush

Shonagh builds up the shading

Shonagh builds up the shading in subtle steps

Applying black make-up by painting freehand

Applying black by painting freehand

Final make-up airbrush with matt black

Final airbrush with matt black to complete the look

The finished look!

The finished look - what a change from the first image above!

The eyes have it – photography tips

January 15th, 2012

When looking at a portrait, we are immediately drawn to the eyes. They are without doubt the most important part of the image in conveying emotion.

As a photographer it is important to ensure eyes are tack sharp.  If your camera will allow you to lock focus one handy trick is to centre the eyes, press the focus button (generally a partial depression of the shutter release button), then, with the focus locked on the eyes, recompose the image to bring the eyes to the position you need.

Marianne Cheesecake - burlesque artiste

Head posture

Looking square-on into the camera will produce an intense contact with the viewer (as in the above portrait of burlesque artiste Marianne Cheesecake.

If the model looks at the lens, then turns her head slightly, the viewer gets to see one side of her face, and often this will produce a more pleasing composition.  However as she turns, firstly the catchlight ‘sparkle’ will be lost from the eye on the further side of the nose, then ultimately the far eye will be lost altogether.   I personally find such ‘one-eyed’ portraits aesthetically disconcerting.   Below Lisa Chenneour is looking slightly away from the camera – she could have kept the same head posture and directed her eyes back to the camera – either way the catch-lights in her eyes are both visible.

Strong photographic composition

A great way to compose and know you have a strong image is to have the eyes approximately one third of the way into the frame .  (this is a composition “rule”, which imagines your image area split into three, both horizontally and vertically – align the most significant part of the image on one of those lines or, better, where a horizontal and vertical cross, to achieve an image that will have a headstart at being aesthetically pleasing.
Get a sparkle in the eyes. Shooting outside it is a good idea to shoot with the sun behind the model, and use your camera flash to fill in what would otherwise be a shadowed face – it also creates that sparkle in the eye.   Without the catchlights eyes may look tired or “lifeless”.

Naturally every ‘rule’ is made to be broken. Letting a deep shadow, or the brow of a hat, obscure the eyes can create an image with an air of mystery. Check out the image below of retro model Jean Rae, taken for the vintage hat designers Rose Patricia Millinery.

Jean Rae - note the mysterious feel due to the shadowed eyes

Jean Rae - note the mysterious feel due to the shadowed eyes

Collectif’s Spring/ Summer 2012 collection photoshoot

January 13th, 2012

This week started with shooting Collectif’s Spring and Summer collection. I was joined by Nicole Grzywok and Tara from the company, and the delightful models SINderella Rockafella and Cervena Fox.  There were a lot of stunning outfits in some great fabrics; I am sure this collection is destined for success.

It was quite a hectic day – over 1200 shots, so we were all kept very busy, but such experienced models made my life very straightforward.

Preparing the pictures for use online and on posters was a little time consuming.  Note to self for the future:  cover or remove labels from the soles of shoes…it will save a lot of retouching time later!

I thought you might like to see a little behind the scenes – the shots the girls would rather you not see!

Retro PhotoStudio dressing room

Retro PhotoStudio dressing room

Cervena Fox final primping!

Cervena Fox at Retro Photostudio – final primping by Nicole

Tara

Tara, steaming outfits

Tara & Nicole - final adjustments for SINderella

Tara & Nicole - final adjustments for SINderella

“How long until I get the finished images?”

We finished shooting late on Monday.  By Tuesday the proof gallery was already posted and final image selections were being made by the company.  The first lists were sent over to me on Tuesday and by Wednesday the finished images, formatted both for web use and for poster or flyer use were already back with the company.  Within four days of the shoot they had 250 images and were posting them on their website!

Internet retailers need to know they can rely on getting quality images with minimal delay…time really is money.

You can already see the teaser shot below on the Collectif website.

SINderella, and real fifties Zenith radio

SINderella, & fifties Zenith radio - one of our many studio props